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Electric
Diamond is a new chamber music ensemble. At core we are a duo consisting
of a Lyricon Wind Synthesizer and a custom designed electronic keyboard.
We play a wide range of music -- ancient airs based on medieval
melodies, native American songs, our own written works, free form
improvisations, as well as the classical repertoire.
If
we have a purpose, it is to take live electronic music performance
to a new standard -- and to tap into the "soul of the machines".
Electronic
instruments emerged from their creator's laboratories with a reputation
as being a world of new sound colors but soulless and sterile in
performance.
Yet,
all musical instruments begin as machines. The organ, piano, harpsichord,
even the violin, are simply machines. And when they first appeared
on the historical horizon, they had quite limited range of expressive
possibilities. However, over the decades artists and artisans engaged
each instrument, with its inherent limitations, and explored what
was possible. Over the centuries the instruments, the art of playing,
the artists, and even the listening evolved. Until today where we
have huge expanses of music, and the instruments upon which it is
played, to which we listen and find meaning and expression.
This
is the window through which we see our musical world. We choose
to explore the expressive capabilities of actual performance, the
subtleties of ensemble playing, the nuance of a phrase, the delicacy
of the softest diminuendo.
Often
we are asked why we play classical music on our instruments. The
real reason is simple -- it is a music that we love, that is a part
of our lives and histories.
Our
instruments are indeed new. Yet, it should be noted that most classical
music is not played on instruments for which they were written.
The instruments of the classical orchestra did not fully come to
their present development until the late 19th century (and several
instruments well into the 20th century) have been reconstructed
for modern standards of playing and sound.
In
our case we begin with stream of electrons as our sound source.
Once these electrical impulses are transformed by our instruments
and routed through speakers they are returned to the acoustical
world and flow through the air just would the sound of a violin.
Stuart
Diamond plays a Lyricon Wind Instrument. The Lyricon, invented by
Bill Bernard, transforms the nuances of the human breath into electrical
voltages, which in turn, controls the dynamic parameters of a one-voice
Oberheim synthesizer. The transformed electrical voltage creates
an analogous (in a sense an on-going "snapshot") of a
player's performance. This "snapshot" is used to play
the synthesizer.
Don Slepian plays a keyboard of his own design made up of modified
components that include instruments by manufacturers such as Roland,
Kurzweil and Mirage. His instrument offers unparalleled mixing and
dynamic control of his sounds.
It
also should be noted that our performances are done in real time
without the use of any computer sequencing.
We
are in a new and exciting, albeit transitional, period of music.
The arts and cultures from the entire world are coming together,
mixing and being filtered by contemporary technologies to offer
a rich new tonal, harmonic, and rhythmic palettes. Yet throughout,
there is a continuity of our own historical perspective -- the idea
that certain musical universals remain constant.
Ultimately,
beyond sounds we explore, we consider something even deeper and
grandeur. The actual sounds of our music are the outer coverings
of deeper expressions, of the feelings, emotions, states of experience,
and yearnings which exist but are of an ineffable realm. Music is
the voice to that invisible domain. The instruments we play, the
sounds we explore, whether it be acoustic or electronic are our
vehicles to discover and to share with our audiences what we have
found.
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